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interview with master peace

Getting Candid with Master Peace [INTERVIEW]

We’re getting candid in our interview with Master Peace.

Master Peace is the artist moniker for London-based Peace Okezie who makes self-proclaimed “electroclash” music for dancing. Earlier this year Master Peace released his debut album and won an award for Ivor Novello’s Rising Star. With huge support slots for the likes of The Streets and Genesis Owusu under his belt, he’s following that up with another EP and a headline tour across the UK and EU this October. 

We talk to Peace about how he accidentally started the wave of indie sleaze in the UK, how he has fought against the boxes people have tried to put him in order to make art that fully represents himself, and why ‘happiness and freedom’ are a core part of his philosophies as a human and an artist.

 

Listen to the full interview with Master Peace on Name 3 Songs podcast and find a transcribed excerpt below.

Name 3 Songs: You released your debut album, How to Make a Master Peace, earlier this year, and you’re about to follow it up with another EP. You said that on previous EPs, you felt like you played it safe in terms of your sound, and that with this album, you really wanted to push the boundaries of what you were doing. In what ways were you able to really challenge yourself with this album?

 

Master Peace: In London at the time when I was writing this album, everybody saw indie music as just straight guitar music. And that wound me up a little bit because I listened to a lot of electroclash. 

 

So you see how Block Party could get guitar music and electronic music and merge it together and make it a song. And I felt like nobody had kind of done that [more recently]. So I was just like, okay, cool. If I’m gonna try something new, I might as well head in that direction. 

 

But at the time nobody was seeing where it was. I wasn’t really aware that there was like a new name for that type of music – “indie sleaze”. So obviously I’m making this music and loads of people are telling me this is indie sleaze. I was like, sick. But I’m thinking electroclash. Do you know what mean? That’s in my head.

 

This is prior to everything that has happened in recent times. I got into writing my debut album at the beginning of 2023. And we just made all these tunes, and in my head, I was like, I got to push the boat out. Like indie music isn’t only guitars. I wanted to have an electronic feel and a dancey feel, where people can move, you know?

 

I remember sitting down with my producer, Julian, and he’s produced and written for that new Sabrina Carpenter album. I remember sitting down with him and he was like, do you know what your problem is? And I was like, what? And he was like, you need to get the girls to dance.

 

You’re making music for the guys, which is cool, but you need the girls to dance too. And if you can get the guys and the girls dancing and merge it together, do know what I mean?

 

I love this. This is the whole mission of our lives. Sara can write a thesis with you on this.

 

Exactly. Exactly. So obviously when he said that, I didn’t understand it. It didn’t really make sense to me. But I’d already made a song on the album that was like a dancey indie early 2000 type song. And then I played it for him and he was like, that’s what I mean. As in like, get them to dance. And that just changed my whole mindset. It was like a flip in my head to kind of push that boundary and push it out.

 

Yeah. I love that so much. That’s why I loved Block Party when I was a teenager, because it was the perfect merge of what I loved about pop music and what I loved about rock music. But that’s so interesting that you thought of it as electroclash. And then with indie sleaze, we’ve repurposed it because in that era we just called them hipsters. Now we’ve made them seem cool because they’re club rats.

 

Yeah, no, it definitely feels that way. Not even on a blow my own trumpet thing, but I was quite ahead. Do you know why it’s so mad? I remember being in the studio with this producer called Zach Fogarty and he was like, what music are you liking at the moment?

 

And this was like 2022. I said, I like the stuff that I’m making, I’m not really checking for anyone. He said, do know who you should work with? And I was like, who? And he was like, I’m gonna play the kid who’s name is called The Dare. So at the time my brain is all like, I thought I was the only person, in the UK anyway, that knew this thing.

 

“Girls” just came out, it was probably on 100K at the time. And I remember just being like, wow, this is actually really good. And then reaching out and being like, yo, this song is mental. And he was like, thank you so much. And like, we were talking about getting together and collaborating and whatnot. And then it was just one of those ones where just timings and schedules just didn’t really match.

 

But it’s just so mad now that it’s like, “Girls” is quite popular now. But when I heard that song, I remember going into my label and being like, guys, you need to sign this. Because I honestly thought he was on the money. I thought he was on the money at that time.

It’s interesting because in England, there’s such a specific music culture there, and a lot of bands that have become part of music history. But it also can be such a bubble sometimes. So it’s interesting that you were saying none of the indie bands in England at the time were doing electroclash. What is your experience like? Do you feel like England can be a bubble in that way?

 

Yeah, I think it’s a bit whack over here. I got more love in the States than I got back home. Do you get what I mean? I got more love in Europe than I got in London. Do you know what I’m saying? And it was a bit of a thing where I just like, I’ve made this thing and I’m like sitting there being like, this thing is really on the money. 

 

And then I feel like people only kind of started to respect it when I won this award in the UK, which is quite prestigious for the album. I think that’s when people start to be like, okay, cool. Let me give this album a listen. But people over here, again, it’s like they’re quicker to take in The Dare than they would take me in, even though I’m from the same soil. Do you get what mean? Like we’re from the same soil, we’re the same pocket, but that’s just how the cookie crumbles. It’s just like, that’s just how it is.

 

It kind of took Brat [by Charli xcx] to come out for people to go and find other albums that were in a similar vein for them to take in my thing.

 

Big up Charli because now when people are mentioning the indie sleaze, they’re mentioning me or The Dare or whoever it is. But it was like, if Charli never dropped Brat I still think it would have gone under the radar. I feel like people wouldn’t have clocked it, which is mad. Do you get what I’m saying?

Listen to the full interview with Master Peace on Name 3 Songs podcast available on your favorite podcast platforms. 

 

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